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Permalink Reply by Valeria Zaurino on November 15, 2011 at 11:56am You should use a soft tonguing, like pronuncing the syllable "da", "du" (pronunced "do") or "di" (pronunced "dee"). The syllable "di" works better on the higher notes, because the tongue is closer to the teeth.
Permalink Reply by Joshua Weinberg on November 15, 2011 at 12:35pm The most important part of tonguing is the air stream, and what you do with it.
For a piece like Bach that has many sixteenth note passages, you will want a constant stream of air going through the flute, and the tongue should only be interrupting that stream. A simple double tongue (Ta-ka-ta-ka or Du-gu-du-gu) should help you if single tonging is too difficult at the speed at which you take the piece. Just be aware of your air stream, keeping it steady and constant.
Cheers!
Joshua
Permalink Reply by Valeria Zaurino on November 15, 2011 at 12:42pm
Permalink Reply by Giuseppe Desantis on February 21, 2012 at 12:05am I know this sentence!!! and you must be careful to the harmonic phrase of the Partita, it is a writing polyphonic!!!
Permalink Reply by Valeria Zaurino on February 21, 2012 at 2:48am You know, I had a very good teacher!! ;-D
Permalink Reply by Giuseppe Desantis on February 23, 2012 at 1:01pm yes, I know!!! who is he?
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